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San Diego State social work graduate student Zander Keig may have a promising literary career ahead of him. Keig’s book, “Letters For My Brothers: Transitional Wisdom in Retrospect,” has been nominated for a Lambda Literary Award, which honors excellence in Lesbian, Gay, Bisexual, Transgender, Queer literature. Winners of this prestigious award will be announced on June 4 at the 24th Annual Lambda Literacy Awards gala in New York City. Keig’s book is nominated in the Transgender Nonfiction category.
“Letters For My Brothers” is an anthology of 24 letters written by female-to-male transsexuals describing the challenges and offering insight from their transition. The concept for the book was inspired by the life of Louis Sullivan, a pioneer in FTM transsexual community activism. Sullivan communicated methods of obtaining peer support, professional counseling, endocrinological services and reconstructive surgery outside the institution of the gender dysphoria clinics, mainly through letter correspondence with individuals interested in making the FTM transition. From the mid-1980s until his death in 1991, Sullivan raised awareness and set the foundation for a community of FTM transsexuals through these letters.
“Today, fewer people who have experience in their transition stay involved in the community, so we have a dearth of mentors,” Keig said. “Because of that, I thought it would be a good idea to merry this letter writing concept with mentorship.”
Keig and his co-editor Megan Rohrer reached out to friends in the FTM community and posted public submission calls to find content for the book. The posts prompted writers to compose a nostalgic letter to themselves before they made the FTM transition. These letters highlighted their challenges, obstacles, fears and joys throughout the experience. Writers could also compose directly to FTM brothers offering advice and guidance.
Keig hopes the book will offer guidance to those within the FTM community in hopes to inspire anyone who reads it.
“If you fall outside the norms assigned to gender at birth, there are consequences. Here are 24 people who dared to transcend expectations of gender,” Keig said. “When people see others living an authentic life, I think it inspires them.”
The finalists for the Lambda Literary Awards, or “Lammys” — honoring achievement in LGBT literature published in 2011 — were announced today by the Lambda Literary Foundation in Los Angeles. Nominees for the 24 categories range from major-publisher titles from well-known authors such as Alan Hollinghurst, Chris Adrian, and Hillary Jordan to debut writers from small presses. The Lambda Literary Foundation is spreading the wealth of recognition; this year, more than 600 titles have been nominated for an award. More than 90 booksellers, book reviewers, librarians, authors, previous Lammy winners and finalists, and other book professionals contributed to the selection of finalists.
The ceremony will take place on June 4 in New York City. Below is a full list of nominees:
Lesbian Debut Fiction
The Girls Club, by Sally Bellerose, Bywater Books
Megume and the Trees, by Sarah Toshiko Hasu, Megami Press
My Sister Chaos, by Lara Fergus, Spinifex Press
Nickels: A Tale of Dissociation, by Christine Stark, Modern History Press
Zipper Mouth, by Laurie Weeks, The Feminist Press at CUNY
Lesbian General Fiction
The Dirt Chronicles, by Kristyn Dunnion, Arsenal Pulp Press
The Necessity of Certain Behaviors, by Shannon Cain, University of Pittsburgh Press
Six Metres of Pavement, by Farzana Doctor, Dundurn Press
When She Woke, by Hillary Jordan, Algonquin Books
Wingshooters, by Nina Revoyr, Akashic Books
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Lesbian Memoir/Biography
How to Get a Girl Pregnant, by Karleen Pendleton Jimenez, Tightrope Books
Sheepish: Two Women, Fifty Sheep, and Enough Wool to Save the Planet, by Catherine Friend, Da Capo Press/Lifelong Books
Small Fires: Essays, by Julie Marie Wade, Sarabande
Taking My Life, by Jane Rule, Talonbooks
When We Were Outlaws: A Memoir of Love & Revolution, by Jeanne Córdova, Spinsters Ink
Lesbian Mystery
Dying to Live, by Kim Baldwin & Xenia Alexiou, Bold Strokes
Hostage Moon, by AJ Quinn, Bold Strokes
Rainey Nights: A Rainey Bell Thriller, by R.E. Bradshaw, R.E. Bradshaw Books
Retirement Plan, by Martha Miller, Bold Strokes
Trick of the Dark, by Val McDermid, Bywater Books
Lesbian Poetry
15 Ways to Stay Alive, by Daphne Gottlieb, Manic D Press
Discipline, by Dawn Lundy Martin, Nightboat Books
Love Cake, by Leah Lakshmi Piepzna-Samarasinha, TSAR Publications
Milk and Honey: A Celebration of Jewish Lesbian Poetry, edited by Julie R. Enszer, A Midsummer Night’s Press
The Stranger Dissolves, by Christina Hutchins, Sixteen Rivers Press
Lesbian Romance
For Me and My Gal, by Robbi McCoy, Bella Books
Ghosts of Winter, by Rebecca S. Buck, Bold Strokes
Rescue Me, by Julie Cannon, Bold Strokes
Storms, by Gerri Hill, Bella Books
Taken by Surprise, by Kenna White, Bella Books
Lesbian Erotica (4 finalists)
The Collectors, by Lesley Gowan, Bold Strokes
Lesbian Cops: Erotic Investigations, edited by Sacchi Green, Cleis Press
A Ride to Remember & Other Erotic Tales, by Sacchi Green, Lethe Press
Story of L, by Debra Hyde, Ravenous Romance
Gay Debut Fiction
98 Wounds, by Justin Chin, Manic D Press
Dirty One, by Michael Graves, Chelsea Station Editions
Have You Seen Me, by Katherine Scott Nelson, Chicago Center for Literature and Photography
Mitko, by Garth Greenwell, Miami University Press
Quarantine: Stories, by Rahul Mehta, Harper Perennial
Gay General Fiction
The Empty Family, by Colm Tóibín, Scribner
The Great Night, by Chris Adrian, Farrar, Straus & Giroux
Leche, by R. Zamora Linmark, Coffee House Press
The Stranger’s Child, by Alan Hollinghurst, Alfred A.Knopf
The Unreal Life of Sergey Nabokov, by Paul Russell, Cleis Press
Gay Memoir/Biography
Celluloid Activist: The Life and Times of Vito Russo, by Michael Schiavi, University of Wisconsin Press
For the Ferryman: A Personal History, by Charles Silverstein, Chelsea Station Editions
Halsted Plays Himself, by William E. Jones, Semiotext(e)
If You Knew Then What I Know Now, by Ryan Van Meter, Sarabande Books
The Jack Bank: A Memoir of a South African Childhood, by Glen Retief, St. Martin’s Press
Gay Mystery
The Affair of the Porcelain Dog, by Jess Faraday, Bold Strokes
Blue’s Bayou, by David Lennon, Blue Spike Publishing
Boystown: Three Nick Nowak Mysteries, by Marshall Thornton, Torquere Press
Malabarista, by Garry Ryan, NeWest Press
Red White Black and Blue, by Richard Stevenson, MLR Press
Gay Poetry
Dear Prudence: New and Selected Poems, by David Trinidad, Turtle Point Press
Double Shadow: Poems, by Carl Phillips, Farrar, Straus & Giroux
A Fast Life: The Collected Poems of Tim Dlugos, edited by David Trinidad, Nightboat Books
Kintsugi, by Thomas Meyer, Flood Editions
The Other Poems, by Paul Legault, Fence Books
Gay Romance
Every Time I Think of You, by Jim Provenzano, CreateSpace/Myrmidude Press
Settling the Score, by Eden Winters, Torquere Press
Something Like Summer, by Jay Bell, Jay Bell Books
Split, by Mel Bossa, Bold Strokes
Tinseltown, by Barry Brennessel, MLR Press
Gay Erotica
All Together, by Dirk Vanden, iloveyoudivine Alerotica
Backwoods, by Natty Soltesz, Rebel Satori Press
Best Gay Erotica 2012, edited by Richard Labonte, Cleis Press
George Platt Lynes: The Male Nudes, edited by Steven Haas, Rizzoli New York
History’s Passions: Stories of Sex Before Stonewall, edited by Richard Labonte, Bold Strokes
Transgender Fiction
The Book of Broken Hymns, by Rafe Posey, Flying Rabbit
The Butterfly and the Flame, by Dana De Young, iUniverse
I Am J, by Cris Beam, Little, Brown Books for Children
Static, by L.A. Witt, Amber Allure/Amber Quill Press
Take Me There: Trans and Genderqueer Erotica, edited by Tristan Taormina, Cleis Press
Transgender Nonfiction
Captive Genders: Trans Embodiment and the Prison Industrial Complex, edited by Eric A. Stanley and Nat Smith, AK Press
Letters for My Brothers: Transitional Wisdom in Retrospect, edited by Megan M. Rohrer and Zander Keig, Wilgefortis Press
Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law, by Dean Spade, South End Press
Re-Dressing America’s Frontier Past, by Peter Boag, University of California Press
Tango: My Childhood, Backwards and in High Heels, by Justin Vivian Bond, The Feminist Press at CUNY
Bisexual Fiction
Boyfriends With Girlfriends, by Alex Sanchez, Simon & Schuster
The Correspondence Artist, by Barbara Browning, Two Dollar Radio
Have You Seen Me, by Katherine Scott Nelson, Chicago Center for Literature and Photography
Triptych, by J.M. Frey, Dragon Moon Press
The Two Krishnas, by Ghalib Shiraz Dhalla, Magnus Books
Bisexual Nonfiction
Big Sex Little Death: A Memoir, by Susie Bright, Seal Press
Bisexuality and Queer Theory: Intersections, Connections and Challenges, edited by Jonathan Alexander & Serena Anderlini-D’Onofrio, Routledge
The Horizontal Poet, by Jan Steckel, Zeitgeist Press
Sovereign Erotics: A Collection of Two-Spirit Literature, edited by Qwo-Li Driskill, Daniel Heath Justice, Deborah Miranda, and Lisa Tatonetti, University of Arizona Press
Surviving Steven: A True Story, by Ven Rey, Ven Rey
LGBT Anthology
Ambientes: New Queer Latino Writing, edited by Lazaro Lima & Felice Picano, University of Wisconsin Press
The Fire in Moonlight: Stories from the Radical Faeries, edited by Mark Thompson, White Crane Books/Lethe Press
Gay Latino Studies: A Critical Reader, edited by Michael Hames-García and Ernesto Javier Martínez, Duke University Press
Persistence: All Ways Butch and Femme, edited by Ivan E. Coyote & Zena Sharman, Arsenal Pulp Press
Sovereign Erotics: A Collection of Two-Spirit Literature, edited by Qwo-Li Driskill, Daniel Heath Justice, Deborah Miranda, and Lisa Tatonetti, University of Arizona Press
LGBT Children’s/Young Adult
Gemini Bites, by Patrick Ryan, Scholastic
Huntress, by Malinda Lo, Little, Brown Books for Young Readers
I am J, by Cris Beam, Little, Brown Books for Children
PINK, by Lili Wilkinson, HarperCollins
Putting Makeup on the Fat Boy, by Bil Wright, Simon & Schuster
LGBT Drama
Letters to the End of the World, by Anton Dudley, Playscripts, Inc.
A Menopausal Gentleman: The Solo Performances of Peggy Shaw, by Peggy Shaw, University of Michigan Press
Secrets of the Trade, by Jonathan Tolins, Samuel French, Inc.
The Temperamentals, by Jon Marans, Chelsea Station Editions
The Zero Hour, by Madeleine George, Samuel French, Inc.
LGBT Nonfiction
Gay in America: Portraits by Scott Pasfield, by Scott Pasfield, Welcome Books
God vs. Gay?: The Religious Case for Equality, by Jay Michaelson, Beacon Press
The H.D. Book, by Robert Duncan, University of California Press
A Queer History of the United States, by Michael Bronski, Beacon Press
Seeing Gertrude Stein: Five Stories, by Wanda M. Corn and Tirza True Latimer, University of California Press
LGBT SF/F/H
The German, by Lee Thomas, Lethe Press
Paradise Tales: and Other Stories, by Geoff Ryman, Small Beer Press
Static, by L.A. Witt, Amber Allure/Amber Quill Press
Steam-powered: Lesbian Steampunk Stories, edited by JoSelle Vanderhooft, Torquere Press
Triptych, by J.M. Frey, Dragon Moon Press
LGBT Studies
Captive Genders: Trans Embodiment and the Prison Industrial Complex, edited by Eric A. Stanley and Nat Smith, AK Press
Freedom with Violence: Race, Sexuality, and the US State, by Chandan Reddy, Duke University Press
Sister Arts: The Erotics of Lesbian Landscapes, by Lisa L. Moore, University of Minnesota Press
Techniques of Pleasure: BDSM and the Circuits of Sexuality, by Margot Weiss, Duke University Press
¡Venceremos?: The Erotics of Black Self-making in Cuba, by Jafari S. Allen, Duke University Press
With a promise to be present whenever two or three gather, we are assured that when we meet for worship, prayer, study, a meal or to provide care for others, that we are not only Christ’s hands and feet in the world but also that the coffee shops, hospitals, multipurpose gyms, stages, food pantries and garages we share our faith in are places where church happens.
Read the rest here.The pleasures and perils of LGBTQ history AHA CONFERENCE by Joe Franco 2012-01-18 | |
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As part of the American History Association's recent conference in Chicago, a great deal of discussion was devoted to the emerging interest in LGBTQ history. An early-morning panel discussion Jan. 8 confronted many of the problems and the successes with LGBTQ history and its dissemination to the popular masses. Lauren Jae Gutterman, the panel's moderator and a Ph.D. candidate at New York University, started the group's discussion. Professor Kevin Murphy, with the University of Minnesota, discussed his recent tribulations when putting together an oral history of the Twin Cities, saying, "We collected over 100 oral histories of the Twin Cities LGBTQ community. Historians, sociologists, geographers and ethnologists tried working together but found it difficult to create a work that would make their work interesting to the masses." The resulting book, Queer Twin Cities, was not well-received by the media or the intended target audience. Murphy admitted that not even the local Minneapolis gay press reviewed the book after its 2011 release. He said that it was "heartening to see the localized interest in GLBT history" but that, ultimately, the work seemed to alienate readers. Professor John D'Emilio, with the University of Illinois-Chicago, brought more problems with LGBTQ public history to the table. He is co-director of a website called OutHistory.org that was originally envisioned to be "Wiki-like" in that anyone could submit entries with constant updating from others. "The problem," said D'Emilio, "is that almost nobody submitted any content. Ultimately, there just was never going to be enough interest and enough content to build up steam." D'Emilio believed the upcoming re-design of the website would help: "We want to abandon the 'Wiki' concept and make the content more transparent for the user." D'Emilio's solution for making LGBTQ public history more accessible through the web involved the use of individuals and more popular features that were user-friendly. He admitted that this was absolutely imperative that academics learned to speak in a language that made what they had to teach and say more accessible. Professor Don Romesburg—an assistant professor at Sonoma State University and a curator for the recently opened GLBT History Museum (the first full-scale, stand-alone facility of its kind in the United States) in San Francisco—reported on a definite success in the LGBTQ-history scene. Worldwide attention focused on the opening of the facility, prompting Romesburg to joke, "Britney Spears was at our museum." Tens of thousands of individuals have visited the museum since its opening last January. "We've had 2,000 new Facebook 'Likes' and 100 new members in our first year alone," said Romesburg. The museum is unique in that it resisted a chronologically linear model in its layout. "The arrangement was about demonstrating belonging and making power present," said Romesburg about the museum's success. The museum's success, seen in light of the failure of other queer-history initiatives, certainly begs the question, "What did the GLBT History Museum do differently?" Romesburg theorized, "We tried to welcome everybody. The construction of a museum means that we matter. It's relevant, important and meaningful." The discussion ended with Joey Plaster, a graduate student at Yale, and Rev. Megan Rohrer, a Lutheran minister who works with at-risk and impoverished LGBT youth of the Castro and Tenderloin neighborhoods in San Francisco. Their work with the queer youth is not unlike Boystown's unprecedented problems this past summer. The gentrified Castro wanted the gay youth out of the neighborhood. A concerted effort among the residents, shop owners, bar owners and politicians began to form. Ultimately, Plaster and Rohrer used history as a way of mobilizing the disenfranchised queer youth. They used the imagery of the 1960s to propel the voices of the neighborhood queer youth. Rohrer said that "the use of tactile GLBT historical artifacts was more than enough motivation for the queer youth to spring into action." She added, "When an individual gets to see and touch something historical, something from the past, this alone is transformative." |